パルプ・フィクション の名言

パルプ・フィクション の概要

強盗の計画を立てているカップルを導入部に、盗まれたトランクを取り戻そうとする二人組のギャング、ビンセントとジュールス。ボスの情婦と一晩のデートをするハメになるビンセント。

  • A character is told the destination is 30 minutes away, they respond they’ll arrive in 10 minutes. They are then informed that they are at “Jimmy’s” house, to which they confirm.

A character is told the destination is 30 minutes away, they respond they'll arrive in 10 minutes. They are then informed that they are at "Jimmy's" house, to which they confirm.

  • Three individuals suggest having a shotgun for a risky transaction, potentially involving five people. One person named Mia is discussed, along with her connection to someone named Marcellus. The need for a shotgun is stressed to ensure safety in the unknown situation.

Three individuals suggest having a shotgun for a risky transaction, potentially involving five people. One person named Mia is discussed, along with her connection to someone named Marcellus. The need for a shotgun is stressed to ensure safety in the unknown situation.

  • If you’re willing to do it, it might seem that way. On fight night, you may feel a little sting. It’s pride eating you alive. Screw pride. It’s always harmful and never helpful. Face that crap because it’s a year from now.

If you're willing to do it, it might seem that way. On fight night, you may feel a little sting. It's pride eating you alive. Screw pride. It's always harmful and never helpful. Face that crap because it's a year from now.

  • Two characters argue over a pack of a red apple. One dismisses the other, claiming they’re not friends. They discuss a renowned punch expert named Vincent Vega, who arrives later. The dialogue is tense, implying a looming confrontation.

Two characters argue over a pack of a red apple. One dismisses the other, claiming they're not friends. They discuss a renowned punch expert named Vincent Vega, who arrives later. The dialogue is tense, implying a looming confrontation.

  • Two characters discourse on the necessity of speaking to make an uncomfortable silence comfortable. They discuss the significance of being able to share comfortable silence with someone special, despite not feeling they are at that stage yet.

Two characters discourse on the necessity of speaking to make an uncomfortable silence comfortable. They discuss the significance of being able to share comfortable silence with someone special, despite not feeling they are at that stage yet.

  • A character is ready to find someone. Another character wants a black man hidden in rice when Butch goes to Indochina, insinuating a criminal plan.

A character is ready to find someone. Another character wants a black man hidden in rice when Butch goes to Indochina, insinuating a criminal plan.

  • A father’s watch was hidden for years by his son, who eventually passed it on. The recipient kept it out of sentiment but never used it. The watch was passed along, with each person concealing it, until it ended up with the speaker.

A father's watch was hidden for years by his son, who eventually passed it on. The recipient kept it out of sentiment but never used it. The watch was passed along, with each person concealing it, until it ended up with the speaker.

  • A man named Butch tells someone his name is American and doesn’t hold much meaning.

A man named Butch tells someone his name is American and doesn't hold much meaning.

  • The characters discuss overcoming a situation together, remarking on the coincidence of sharing the same car, while also highlighting the need to focus on cleaning up the car before moving to the next step.

The characters discuss overcoming a situation together, remarking on the coincidence of sharing the same car, while also highlighting the need to focus on cleaning up the car before moving to the next step.

  • 一人は他にバッグの中で”クソったれ”と書かれた財布を探し、お金を取り出すよう指示する。

一人は他にバッグの中で"クソったれ"と書かれた財布を探し、お金を取り出すよう指示する。

  • 怖い質問はやめて。トイレに行く。質問してもいいか。

怖い質問はやめて。トイレに行く。質問してもいいか。

  • Two characters discuss respecting elders as a sign of character. One character emphasizes that having a character does not guarantee respecting elders. They decide to share a taxi and express a desire for breakfast.

Two characters discuss respecting elders as a sign of character. One character emphasizes that having a character does not guarantee respecting elders. They decide to share a taxi and express a desire for breakfast.

  • Two characters converse intensely, with one expressing concern for the other. Laughter breaks the tension.

Two characters converse intensely, with one expressing concern for the other. Laughter breaks the tension.

  • トルーディについて尋ねられる際、男性は彼女が自由であることを述べ、混乱が生じている。その後、ジョディとの誤解が解け、お互い軽く謝罪し、早めに退出することを伝える。

トルーディについて尋ねられる際、男性は彼女が自由であることを述べ、混乱が生じている。その後、ジョディとの誤解が解け、お互い軽く謝罪し、早めに退出することを伝える。

  • 男性1:クールだね。

男性2:さて、失礼するよ。家に帰って心臓発作を起こすつもりだ。ヴィンセント、フォックス・フォース・ファイブの冗談を聞きたいかい?
男性1:クールだね。
男性2:さて、失礼するよ。家に帰って心臓発作を起こすつもりだ。ヴィンセント、フォックス・フォース・ファイブの冗談を聞きたいかい?

  • 私の店では私かゼッド以外が誰かを殺すことはない。ゼッドだ。

私の店では私かゼッド以外が誰かを殺すことはない。ゼッドだ。

  • Two characters discuss putting mayonnaise on French fries instead of ketchup at Burger King. They joke about it and talk about the need for shotguns in their kind of business, mentioning somewhere needing three or four.

Two characters discuss putting mayonnaise on French fries instead of ketchup at Burger King. They joke about it and talk about the need for shotguns in their kind of business, mentioning somewhere needing three or four.

  • Two characters discuss the situation and temperament of a woman. One expresses frustration over lack of information about her and questions if she is the hysterical type, while the other casually inquires about her due date.

Two characters discuss the situation and temperament of a woman. One expresses frustration over lack of information about her and questions if she is the hysterical type, while the other casually inquires about her due date.

  • “Shoot me in the face. I hate to break your pride, but it’s not my first time. If you don’t let go of the gun in that case, it will be your last.”

"Shoot me in the face. I hate to break your pride, but it's not my first time. If you don't let go of the gun in that case, it will be your last."